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Henry F. Farny Collection

Eisele Gallery presents an exclusive online preview of five paintings by iconic western painter Henry F. Farny. These exceptional paintings are available for private viewings at the gallery or your home by appointment only. This collection of Farny's work was acquired directly from the artist and has been in a family collection for generations. A prominent benefactor of the arts developed an early relationship with the artist during his time in Cincinnati. The paintings have been well cared for, are framed with conservation glass and are in excellent condition. Rarely has a collection of paintings of this quality has been offered at one time. These investment quality works of art are available exclusively at Eisele Gallery.

Born in Alsace Lorraine, France, Henry Farny became a well-known American illustrator and painter, especially for quiet aspects of Indian life such as campfire scenes.  Farny, working in a highly realistic, detailed style, had a deep regard for Indians as individuals and often depicted them in a harmonious environment.  Only a few of his paintings show Indians in dramatic action.  He particularly painted the Sioux Indians and, given the Indian name for "Long Boots", was adopted into their tribe.

In 1859 Farny first settled in Cincinnati and later worked in New York as an engraver and lithographer for Harper's. Farny spent three years in Europe in the 1860s during which time he studied in Düsseldorf under Thomas B. Read and Herman Herzog. In addition, he traveled about Europe on a study tour with Twachtman and Duveneck. In 1878 he made a thousand-mile canoe trip down the Missouri River. During the 1880s he made numerous sketching trips throughout the West and was active in California during 1885-1900.

His most prolific period was between 1890 and 1906, and most of his paintings were small in size, and finely finished.  His primary medium was gouache, although he also worked in watercolor, oil, and ink and did an occasional bronze sculpture. 

The Cincinnati Museum in 1943 held an exhibition of his work that included 39 oil paintings and 104 watercolors.  At least twenty-four of the oils and seventy-one of the watercolors were Western.  For many viewers, work by Farny is admired for its authenticity and its ability to convey so much factual data about a critical time in America history - the opening of the West.

Image above: Untitled (Indian Chief), Gouache on paper, 10"H x 15"W, Signed H.F. Farny - '96 , Framed

View the Farny Collection Here:

Henry F. Farny Collection
Hunt for a Supper, Gouache on paper, 9"H x 6"W, Signed Farny 1910 , Framed

Contact the Gallery for pricing and more information: 513.791.7717 or

Julian Wasser: In the Limelight

Exhibition on view: October 10th - November 14th, 2020

For the 2020 Fotofocus biennial Eisele Gallery presents an exhibition of photographs by Julian Wasser. Limelight was invented in the 1820's and its earliest use dates back to 1836. An important innovation in performance and theatrical lighting, super heated quicklime produced the iconic spot light used to aluminate solo performers. The term "in the limelight" is still synonymous today for icons and celebrities in the public eye. The high quality lighting makes it possible for current day videography and photography. Julian Wasser photographed political and entreatment personalities for numerous well known publications. This exhibition hi-lights the images that depicted fame and celebrity throughout the Hollywood golden age of the 1960's and 70's.

  • Andy Warhol & Dennis Hopper at the Marcel Duchamp Retrospective
  • Ed. 1/15
  • Silver Gelatin Print
  • 16" x 20"
  • Framed Dimensions: 20" x 25.5"

Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press. While at Associated Press he met Weegee and rode with the famous news photographer as he shot photos of crime scenes in Washington. Weegee was a major influence on Wasser’s style of photography. After serving in the Navy in San Diego the former AP copyboy became a contract photographer for Time Magazine in Los Angeles doing assignments for Time, Life, and Fortune. His photographs have appeared in and been used as covers of Time, Newsweek, and People magazines in the United States.

He has photographed cover assignments for The Sunday Telegraph, and The Sunday Times color supplements in London. His photos have appeared in US Magazine, Vanity Fair, TV Guide, Paris Match, Der Spiegel, Oggi, Hello, Playboy, Elle, Vogue, and GQ and in exhibitions in galleries and museums.

Beatles press conference on London after they recived the OBE from Queen Elizabeth at Buckigham Palace 26 October 1965.
  • The Beatles: London, 1965
  • Ed. 14/15
  • Silver Gelatin Print
  • 16" x 20"
  • Framed Dimensions: 20" x 26"

This Exhibition is sponsored & produced in conjunction with the FOTOFOCUS 2020 Biennial. View the exhibition online here.

Into the Wind River Range


November 2019

Leave your comfort zone and imagine trekking into the wilds of Wyoming with artists Chuck Marshall and Robert Hagberg. Descriptive plein air paintings, several of them executed in the wilds, are contemporary interpretations of  Wyoming wilderness currently exhibited at Eisele Gallery.

The concept that inspired the “Into the Wilderness” experience of Hagberg and Marshall, was started by a well-known artist Tucker Smith from Pinedale, Wyoming. Smith organized a tour for plein air artists in the Wind River Range,  which is about 80 miles long in Wyoming as inspiration for their painting. An outfitter guide brings the materials and staples for the planned timeframe. The artists arrive on horseback with pack mules at the camp, a 3-4 hour ride from civilization. Enthusiasm for camping and successful fly fishing skills also come in handy.  Following in the footsteps of American wildlife artist Carl Rungius (1869-1959)  whose paintings depict the Wind River Range in his era, Marshall and Hagberg set out to reinterpret the wilderness in contemporary terms.

Interestingly, this exhibit captures more than the natural untouched landscape, often aligning what the eye sees with what the human feels as a lone camper on the trail.  The show displays a variety of sizes. Smaller works are oil on panel which probably were executed on the trail. Larger expansive paintings are products of concentrated studio finish.

Chuck Marshall’s large oil entitled “Green River Basin” sets the stage. The broad open meadowland is inviting under drifting nebulous cloud forms. Brush and wildflowers undulate gently on a middle ground of cool greens and hints of heather. Distant craggy bluffs, dappled in warm sunlight, lure you onward with the promise of more natural beauty.

Robert Hagberg paints a closer view of the transition from meadowland to mountain passes in his “Searching for Lost Eagle Peak”.  He writes “What amazed me was the dramatic difference in the contours of the peak as our perspective change from this valley to that from Slide Lake.”

With daily outings on the trails, the artists explored the deepening wilds, ascending the ranges to create studies of the country’s natural beauty. This writer liked Chuck’s view from the back of his horse. One can almost feel the gentle rhythm of the unhurried ride through the cool shadows of the foreground as he follows the guide and pack mule into the valley of a sunlit mountain range.

Marshall paints “Into the Woods”, a larger oil painting which captures glinting sunlight on the waterway meandering through the foreground meadows. The setting is crowned by looming purple snow-tipped ridges, observed by a lone pine in the foreground. Many of Marshall’s compositions offer a poetic aesthetic combined with a stronger harmonic color palette. “Square Top Mountain” appears in numerous studies by both artists and is named for its iconic blunted plateau which towers over placid lakes and streams. Other paintings depict crashing cold water streams and placid lakes, among them “Rungius Pond”, “Shirley Lake” and “Slide Lake”. Each composition relates the reflecting lakes to specific descriptions of mountain range that pinpoint the artist’s vantage point.

Close observation of several of Hagberg’s paintings reveals his brisk brush marking technique that accounts for the textural surface of his representations. Contrasting his surface work is a brilliant orange and vermillion underpainting breaking through, especially in the foreground, invigorating the darker greens and complimenting the blues. Overall his works lean toward a colorful shape and texture rendering of observed scenes.

By contrast, Marshall doesn’t seem to have a preferred ground tone and may be working straight onto a primed surface.  Marshall’s brush work employs a softer handling overall with a stronger color palette and a greater sensitivity to atmospheric conditions.  Marshall also exhibits a few smaller works capturing camp life, and rest on the trail. “Cowboy and His Mule” is a portrait of this indispensable animal being tended by the outfitter in camp. Also of particular interest in this exhibition is the journalistic tag copy that accompanies many pieces. These are simply written recollections by the artists, divulging treasured personal memories, fractious weather incidents,  adding the campfire storytelling aspect to the empirical experience.

“Into the Wilderness” Exhibition is accompanied by a generous selection of related works from the gallery collection, blending contemporary works and historic collectables. Exhibition is on view through November 30th, 2019.

–Marlene Steele

Our CURRENT EXHIBITION  has made the top 5 in AEQAI!

The best public park views in the world are the subject matter of the best painters in the current exhibit at Eisele Gallery, Cincinnati. Click here to read more...

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